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AN interview with damilare kuku

1/9/2022

9 Comments

 
Author of Nearly All the Men in Lagos are Mad
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‘Nearly All the Men in Lagos are Mad’ is a collection of twelve short stories featuring characters with unique voices and stories that represent the diverse class, gender and ethnic melting pot that is Lagos.

There’s a story of a young lady who tries to find her oyibo soulmate on the streets of Lagos; another of a pastor’s wife who defends her husband from an allegation of adultery; a wife takes a knife to her husband’s penis; a night of lust between a rising musician and his Instagram baddie takes an unexpected turn.

From Ikorodu to Yaba, Ilupeju to Victoria Island, the stories underscore with wit, humour, wisdom and sensitivity, the perils of trying to find lasting love and companionship in Africa’s most notorious city that will prove universal and illuminating.

There’s a story behind every hustling, hopeful, striving Lagosian trying to make their way to a better life and Damilare Kuku’s characterisations are brilliant distillations of this recognisable mind-set.

Every story is layered; these are people and choices you may recognise in yourself and people you know. Ultimately, these stories will make you laugh, think, feel and remind us all that we are not alone.

the interview

By Adedayo Onabade
Q: Writing Nearly all the Men in Lagos are Mad as a debut must have been a fascinating experience. Can you share how the journey to this book began?

A: If I had a dollar for every single time I have answered this question, I think I would be a millionaire. Like I shared in previous interviews, I was in my apartment in Yaba and had just finished praying when the inspiration came to me. So, I’d say that the journey started with God and continues with me. I am very open about my religion and where I stand with God, in the sense that I’m just leaning heavily on Him and hoping that He always helps me with everything I do.
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When I got the title, I reached out to the assistant of an actor or producer and said I had an idea we could work with. And no one ever got back to me. About a year or two later, I submitted it to the book publisher, and that’s how the journey started.

Q: To a person yet to read it, the title of your debut work would seem like a harsh generalisation. How did you create or decide on this title, and did you have any reservations about it?
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A: No, I don’t have any reservations about the title. I’m not uncomfortable with my art. Honestly speaking, art can be a subjective matter. Some people may feel it’s harsh, while others think that it speaks to their truth. Whatever interpretation that works, I am fine with it. As for the title, as I said with your first question, the title literally came to me as I prayed in my apartment.

Q: You weaved some synonymity between the city of Lagos and the central concept of madness which is rife among the menfolk in your book. What is responsible for this, and from where did you draw this inspiration?
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A: Lagos is the city that never sleeps. It is like the New York of Nigeria. Even though it generally connotes something negative, for me, I think madness can also simply mean the hustle and bustle of men. With this title, it literally meant that a lot of people are unwell, especially the gender that is opposite mine. Also, you need to understand that if I were writing this as a man, I’d be writing based on my experiences with women. So, for me, weaving the central concept of madness with the city of Lagos is because Lagos is a city that is ever moving. It is the city of road rage, of unmatched, unhealthy anger that’s not exactly the fault of the people. It is almost like it is woven into the architecture of the city. But as a lady living in Lagos with family and friends who also experience the city and the men in it, it is just appropriate to say that Lagos and madness are synonymous and to emphasise again, not in a negative light.
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Q: Some of your characters commodify or weaponize sex against the backdrop of promiscuity, materialism, and other vices. What would you say are the causes or sponsors of this in society today?
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A: Honestly, I feel like this question is a setup. And I have found many times that interviewers want to ask about my view on certain topics. But truth be told, I don’t know that as a writer, I am a judge. I’m not here to judge or say something is bad or wrong. I’m just saying, ‘Here is a mirror I am holding up to the society, this is what I am seeing, and I hope that you can understand that there might be reasons for you to look into this. It’s not necessarily negative or positive. I’m a liberal person, and I believe in the philosophy of ‘live and let live.’ So, for everyone who chooses what they do with themselves, you cannot give a general reason to say, ‘I know why people do this.’ To do so is to impose a godlike view, and I don’t do that.

Q: The experiences of Shike Macaulay in 'International Relations' show that dating men of other nationalities is fraught with its own challenges. So what does this mean for the mad Lagos man as well as the woman who has to choose between both types of men? Do you agree that it is a case of choosing the lesser evil?
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A: First off, I love Shike Macaulay, by the way. Interestingly, this is the first story I wrote in the collection, after which I wrote ‘I Knew You.’ So, when I hear people say, ‘Perhaps if I dated someone from another race…’ Personally, exploring is always an option. But sometimes, you find that the grass isn’t as green on the other side as well, as you find in Shike’s story. I don’t know that it is a ‘lesser evil’ because some women would date a white man and luck out. And they would say that’s the best thing they ever tried. It becomes more of a peculiarity. As I said, we must fundamentally understand that it is not about what is wrong or right but about sharing someone’s story and having other women relate to it. Take from it what you will, it is ultimately about showing society what it looks like. To iterate my earlier point, always having an opinion, coming from the place of always knowing it all, or being judgemental makes people refrain from opening up to you.

Q: In your interview with TVC's Wake Up Nigeria, you cited that the book was written as “a love letter to young girls and women, to say to them that they are not alone.” Were there any personal or shared experiences that registered this feeling for you and necessitated the creation of this body of work?
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A: I suspect that I will always write love letters to women with all my work. Love letters in the sense that women may feel this shame of ‘Oh my God, this thing has happened to me and me alone,’ or ‘There’s something wrong with me. I must not continue.’ No, dear. Because a woman down the street is going through the same things. Someone out there, your neighbour, is also feeling or going through the same thing. But, beyond trauma bonding, I believe there is strength in getting up and knowing that this has happened, but you must move on, and you must continue and live for the next day. Because you don’t know what surprises life could spring up on you, and everything works out just the way you had imagined or hoped. So, for me, it is saying to women, ‘I see you, I hear you. You are not alone.’ And that is always going to be my mantra because while I am a feminist, I do not know that I am a feminist in the general overview. I understand the struggles of being a woman, and not just a woman but a black woman, a Nigerian woman, a Yoruba woman. So, with how tailored my experiences are, knowing that when I write, an Igbo woman sees my work and says, ‘This my Yoruba sister also went through this,’ it is fantastic.

Q: Let's talk about the women characters. You portray the effects that the activities of mad Lagos men have on the women in their lives. In The Anointed Wife, Evelyn says, “It hurts to act like I don’t know that the man I have given everything that a woman can give repays that devotion by chasing such a cheap high…Yes, he has lied to me, cheated, but…what we have is beyond understanding and will not be allowed to fall.” At what point do you think a person should choose themselves and walk away from a liaison when it only serves one partner's agenda?
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A: I think people should always walk away from stuff like this. For people who know me personally, they know that I’m very quick to say, ‘You know what, this situation is not serving me. Best of luck, and I’m walking away from it.’ But you know, some people like to persevere. I persevere with God. I don’t know that a relationship should be persevered, and I don’t mean that only within the confines of a romantic relationship but in any kind of relationship - work, friendship, anything. And that’s for me, Dami. But when you ask me to tell you what I think, what if a woman has children involved and she wants to give it a second or third, or fourth trial? And in the case of ‘The Anointed Wife,’ she had put a lot into the marriage, as it is with a couple of other women in the stories as well. So, I think, yes, walk away from whatever doesn’t serve you when you know you’ve put your absolute best into it. And I try to do that, to do my best. But, again, please understand that as a writer, I write as objectively as I can, and my feelings as Damilare play no part in it. But if I, as Damilare, were her friend, I’d say to her, ‘This man is not worth it.’ As a writer, I’m not doing that. It’s not my job to tell someone how to experience their truth.

Q: You explore the subject and act of sex extensively. Was this a necessity for the finished work you had in mind? And how were you able to navigate this while sustaining the core narrative without the risk of tilting towards full-blown erotica? 
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A: When people asked me this question, I didn’t know that there was anything wrong with what I was writing. And I’m only just realising now that I must have tickled a couple of people’s moral boundaries. I’m sorry. I think I wrote as truthfully as I could. While many have referred to it as soft porn, I believe I stuck to the story as truthfully as I could, and if that’s the experience they took from the book, it is completely fine because that’s their reality.


Q: What is that one lesson that you would want every reader that reads Nearly all the men in Lagos are mad to take away from the experience?
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A: We should all learn to show each other kindness and empathy. Sometimes, wear the other person’s shoes and be kind. I think that people forget the hustle and bustle of the city, the stress of living in Lagos, and the art of being kind. 

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About the Author

Damilare Kuku
 is a creative artist who has worked as a radio presenter, scriptwriter, film producer, and director.

She holds both bachelor’s and master’s degrees in the Arts and hopes to start a Ph.D. (also in the Arts) someday and maybe teach. Currently, she is best known as an actor in Film (including The Set Up and Chief Daddy); Television (including Season 1 of Ebony Life’s Castle and Castle and Africa Magic’s Unbroken); and Stage (including Kakadu the Musical and Ewa). As a child, she was drawn to the enduring magic of books and saw writers as spell casters. Naturally, she was entranced to become one.
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Nearly all the Men in Lagos are Mad is her first published book.
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Interviewer's Bio

Adedayo Onabade is a Nigerian essayist, fiction, and poetry writer. She holds a B.A. from Olabisi Onabanjo University and an M.A. from the University of Lagos, both in English Literature. Her works have been shortlisted for SynCity's 'Poetry in times of Corona' and #TwitterWritingContest.

Adedayo volunteers with STER (Stand to End Rape Initiative), a social justice organization that works to combat sexual and gender-based violence against women, girls, and vulnerable people. Outside writing, she is fascinated by NatGeoWild, art galleries, reading, and documentaries.

9 Comments
James
5/9/2022 10:24:18 pm

According to the author, God is the source of her inspiration. The title of the book serves right, as everyone has their viewpoints on what the title of the book is. Everybody with what they like and dislike

Madness here doesn't literally mean insane, but the timeless hustling and bustling in Lagos.

Like one of the earliest questions, everyone chooses to do what they want, and what is good for them. To impose issues on someone is to complicate things. Let everyone do what is right, but not to pass judgement on anyone.

'Nearly all men in Lagos are mad' is a book written by Damilare Kuku. From all nine (9) questions given to the author, gave a general view of life in Lagos.

This implies that the activities of people in Lagos (both day and night) brought about the madness in Lagos.

Lagos is a commercial and industrial city which everyone would like to be, just like the New York City in the United States

The hustling and bustling in Lagos is almost synonymous to New York. Life is there. And work never ends.

My perspection about the interview given to the author, the interviewer asked a lot of lengthy questions. Some of the questions weren't in line with the concept of the book-as touching vulgar languages "soft porn'" and "sexuality" which might look awkward to minor readers, and some parents who might think Parental Guidance P.G. is necessary for the book.

No much here, but I would suggest that the interviewer should be discrete in his questions. Asking questions purely on an issue without weaver makes the interactions interesting and fascinating.

I strongly recommend this book to literature and law students. It is an eye opener to their profession as becoming Lawyers, Senior Advocates, Lord's, judges and the likes. So, read and get better.

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Stephanie Anzam
8/9/2022 01:05:41 pm

Nearly all men in Lagos is a really interesting book. It was an eye opener also. Things happen sometimes to you and you think, 'whats the meaning of all this' till you read this book then you realize that they are things that happen every day. Thank you so much for this book.

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Ashley
8/9/2022 07:27:37 pm

I enjoyed the book thoroughly and this interview has given me more insight into the mind of the author. I love ya'll.

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Ojo Victoria
12/9/2022 08:11:08 am

I enjoyed reading this book. There is a strong connection reading this book and Suitors Are Scarce In Lagos. The two books are filled with lessons, humour and a different way of living your life in Lagos.

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Mapak Jerry Machen
12/9/2022 09:24:40 am

Arguably, this is one of the most interesting book that has all Nigerians as witnesses. These are experiences from Nigeria and by Nigerians.

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Alhassan Musa Maibasira
13/9/2022 09:08:12 am

Though, I am yet to read the Book. But this interview created some kind of sparks to get the book. I think the interview was more like a book review.

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Toyin
13/9/2022 11:40:41 am

The title will draw you in first, soon after you will be lost in the story. Intriguing and fun💯💯💯.

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Ginika Ifeabunike
14/9/2022 10:01:38 am

I have shared this book with every lady and some gents on my timeline because this book and the stories therein is a must read. Relationships especially the romantic kind is not a do or die affair, leave when it stops serving you, leave when it begins to hurt you, leave when it begins to drain you mentally, physically, interalia.
I didn't even notice the soft porn when I was reading it because sex is life, sex is normal, sex is an everyday part of life, we need to stop demoralizing it. It was even my older sister that brought it to my attention that the book was erotica because it turned her on, this is an attestation of your exceptional writing skill, Dami.

Life is hard, living in Lagos is harder, don't judge, be kind... You couldn't have said it any better, Damilare Kuku!

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Michelle Enehiwealu Iruobe
25/9/2022 04:25:09 pm

"I’m not here to judge or say something is bad or wrong. I’m just saying, ‘Here is a mirror I am holding up to the society,"

It's an interesting coincidence that while writing a reply for this interview, I stumbled on this excerpt from John Boyega's interview for the Woman King:

"As creators, we are here to shine a light on the realities of the world. We're not necessarily always here to preach a very accepting message. Art could live in a moral or immoral space and could just be about shining light on human nature, history and the reality of that conflict."

Writers write stories about certain things because such things exist and not because they are in support of or against them. A writer's words are merely vessels or conduits for life's truths. From what I learned a long time ago, literature is a mirror to society, and what a reader sees in that mirror is solely personal and shouldn't be used to judge the writer. Nearly All The Men In Lagos Are Mad, sums up a host of experiences of Lagosians, as they navigate life in the fast-paced, 'mad' city of Lagos. The men and women who tell stories of their own are representatives of other people currently treading the streets of Lagos, far from the book pages. Though the characters are made-up, these experiences are as real as they can be. People have lived and are still living such truths, and as Kuku said, she cannot rationalise such truths on their behalf. Doing that would mean she is writing an opinion piece. She can only present them, as they are, on book pages, where others who may/may not share similar experiences may find them.

I understood this and rather enjoyed how honest and true Kuku was in most of the stories (though I did think at some point that the sexual content could've been toned down since they did little to nothing to drive the plot forward).

More fiction writers should see themselves not as judges of the morals of their characters but as bearers of truth.

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